
Directed by Jake Armstrong, visit his blog.
Film news, Trailers for upcoming films and other cool stuff
New Year is almost here, it's time to get in the festive mood, with all the songs and gifts, as suitable for the spirit of the season.
I am having some troubles to collect solid info about these guys, it's all in Chinese and even the link to their official website is not working for me, but it seems that they are China based animation studio named TINKID, relatively new. They are creating flash animation for commercials and TV, and have plans to make bigger projects.
As part of the promotion for DVD sales of Pixar's Up, some folks at the studio created this simple short animation about George and A.J, two Shady Oaks caretakers that came to pick Mr. Fredricksen, and what happened to them in the week after the incident.
Cool music video for the song "Lion's Den", by The Nextmen featuring Ms. Dynamite
First, is computer animated TV series, called Yans! Gans! It is series of short episodes, set in New York in the future, when plants and dinosaurs have overrun the city. Yans and Gans are carnivorous dinosaurs who spend their days scaring and hunting down the herbivore creatures, not always with desired results. The series starts its broadcast in Japan at upcoming Friday, and the first episode already available on their youtube channel for some time.
Moldavian cinema is not really known internationally, they did number of films long time ago when Moldova was still part of Soviet Union, but I am not sure if they have serious film industry right now. They do try to create some animation in there, and here is an example for that.
Next is short animated film Sherlock Holmes and Dr.Watson 2, created by Russian animator Alexander Bubnov. It is a sequel to his previous short, about the famous duo, from 2005, and it was so popular all around the world, that he decided to make another one. The work on the film is still in progress, Bubnov and his team are slowly working to complete it, raising money in between. They even addressed to all the people that loved the first film and asked them to donate as much as they can.
Watch this great award winning short animation, translated as Mister COK. I like the sapient WWI retro look and the steampunk style, very cool visuals in this one.
Much deeper voice would be probably better for narration in this one, but it's mostly the visual side of film noir that important here.
Known also as Sleeping Betty, this short animation is sharp, clever and brilliant. It reminds me a little of Terry Gilliam's works for Monty Python and Bill Plympton as well, with similar technique of distorting the familiar and presenting it with unexpected results. Great and imaginative stuff, one of the best animated films I've seen.
Here is short description of the film as it appears at the website of National Film Board of Canada, that actually produced it:Tower Bawher is like a whirlwind tour of Russian constructivist art, and filmmaker Theodore Ushev pays homage to the movement with cascading, energetic animation. Constructivism was born out of the Russian Revolution of 1917, and Tower Bawher is filled with visual references to artists of the era (including Vertov, Stenberg, Rodchenko, Lissitsky and Popova), who saw their art as being in the service of the people. The work of these artists was a key part of the cultural landscape in Ushev's native Bulgaria. Over the same stirring Georgy Sviridov music that opened the Soviet regime's nightly newscast in the 1970s, Ushev highlights line, form and dynamic rhythms in place of volume and static mass. The title of the film is an allusion to constructivist architect Vladimir Tatlin's tower, conceived in homage to the glory of the proletariat. Drawing on the tower's design, the movement in the film draws us continually upwards towards a utopian summit. But in the end, all of the grandiose, futuristic forms that point to a glowing future wind up crashing under the weight of ideology. In Tower Bawher Ushev celebrates the genius of constructivist artists, while also offering a scathing commentary on art in the service of ideology. A film without words.





