Trailers Roundup

Few interesting trailers appeared lately and I didn't have the chance to post them separately, so I gathered all of them together.

First is the new trailer for The Wolfman. Much better and more action packed than previous trailer, and more or less indicates the entertaining intensity of the movie. I still don't care for Emily Blunt though, she reminds me mold piece of cheese with stale taste.



More various trailers are below.

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Here is new trailer for Sherlock Holmes, that seems to be misplaced and should be a regular summer movie, but instead it will be a summer breeze in the middle of winter.

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Dominic Sena, another average Hollywood director of formula movies, just flopped with Whiteout a month ago, and his next film is another potential disaster with the king of bad movies in the last few years, Nicolas Cage. This time it's a fantasy/horror movie called Season of the Witch, something about medieval knights hunting a witch during Black Plague. The teaser is not very impressive, but maybe it's just poor video quality.

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I've already posted about this movie before, and here is new footage from True Legend, a welcome throwback to the wushu martial arts style of the 90's. Great stuff.

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Another martial arts film with the scent of 90's is new collaboration between Donnie Yen and Sammo Hung, called 14 Blades, which looks like another huge production for the masses.



By the way, don't get me wrong and I love to see sweet Zhao Wei in films, but I am getting the feeling that she's been kinda mistreated in Chinese productions lately. She is a great actress, everyone should see her in excellent Green Tea to fully appreciate her acting abilities, but with all them historical war and martial arts pictures she is doing lately, which are just shallow pop products, I think she is simply wasting away. And her upcoming lead role in over the top patriotic Mulan is not going to make things better.

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And martial arts film that is a sequel to one from 90's, but definitely doesn't have the same style, is Storm Warriors. Here the final trailer before the release.

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And this is one strange film. Ninjas, sword fights, machine guns, rockets, space ships? Heavily based on computer graphics with the main emphasis on visual side, this attempt to make live action anime looks like a warm and pleasant mess. And the strangest thing is that it's coming from Ireland, out of all possible places. Called The Cup of Tears, and directed by unknown Gary Shore, it looks more like an over stylized music video. I am really curious to see the full movie, although I suspect it will be hard to find any sensible story in there, something that usually happens in such projects.

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And now some zombies. Trailer for highly anticipated remake of George Romero's The Crazies is very impressive, bringing back the exciting vibe to the classic "small town in distress" zombie flicks. Great actors and high production values is exactly what zombie movie needs. Going high to my "want to see" list.

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Another zombie film, but with very different approach is The Revenant. Apparently there are many ways to explore zombie genre, and this film is taking it to some interesting places. Clearly, as oppose to beat up and washed-up vampire themed abominations, that lost their subversive appeal once vampires became synonym to "stupid teenagers", zombies still remain exclusively in the grown-ups area, simply because no one can make zombies young and sexy. And while shirtless vampires or werewolfs, or whatever, are fighting to win the heart of some dumb chick because this is what they usually do, looking to fall in love, zombies are slowly overtaking serious movies that actually worth seeing. And this is one of them.



Official website - here.

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And the last one is animated feature from Argentina Boogie, El Aceitoso, which can be translated as The Slick Boogie (?). Based on the works of famous Argentinian cartoonist and writer Roberto Fontanarrosa, the story is about Boogie, a ruthless mercenary killer who seems to feel utter contempt for everything and everyone. An American veteran of the Vietnam war, Boogie does everything for money.
I am guessing that through all that machoism, sexism and racism that this character possesses, Fontanarossa was expressing his criticism of US, and though I am not familiar with the original comics, it seems that it was filled with political context. Through the volumes of the comics, the character of Boogie and his attitude were changing, and since he is lovable character after all, I think there was more that merely anti-American lashing and the whole thing was more complex that it may appear.
Anyway, judging from the trailer the film seems to have some of that misanthropic and racist tone, but also dark humor and bad ass attitude. Offensive but fun, and with a bit of luck it will be also as charming as South Park. I like it already.



Official website - here.