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Short reviews of these films - below.
Orphan (USA, 2009)
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It has all the right things to make watching experience very enjoyable and entertaining - clear story, professional production, effortless plot development and editing with all the suspenseful conversations, scares and twists we like to see.
But even if the formula is a used one, the content is quite different and unexpected. Considering myself an expert at revealing right from the start who is the killer and what is the mystery that will be revealed by the end, I have to say that this movie is not as simple and the final revelation took me by surprise. And it's not like the story was misleading, no one in the film is trying to fool you. It's just never occurred to me to think in that direction, and it works in favor of the film, suddenly taking it to a higher level and adding, with just one effect, much deeper meaning.
Satisfying and interesting movie with great acting, no decapitated bodies and no torture, just classic and simple suspense.
8+/10
The Tournament (UK, 2009)
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This film looks like it was taken straight from 90's B-action genre, and the "people kill each other for the prize" motif is not something new. I still remember Mean Guns with Christopher Lambert and Ice-T. And while The Tournament does provide great action sequences, which are very dynamic and bloody, familiar actors and fluent plot, the dramatic writing of the film is extremely weak.
The writer managed to come up with such banal story lines as assassin that participates in the tournament to avenge his wife (like he couldn't do it in any other way), another assassin that is pure psychopath (Wow! A killer that is a psychopath! How very original), and an alcoholic priest looking for redemption, that got dragged into the mess by accident (very annoying Robert Carlyle in one of his worst roles, weeping and making sad faces the entire film). And every cliche that you can possibly think of is also here - the rich people (all males), that cheer for every kill, are sitting at the table with stocks of money, while beautiful women are walking around and give them drinks and light their cigars, a female assassin, receiving very harsh blows in her head from much larger and muscular men, only to stand up a second later without a scratch or a bruise on her face, to fight back and win. And there are more embarrassing moments in that spirit, including predictable ending.
Nice to watch and not boring, but the story can use more effort.
6/10
Monsters vs Aliens (USA, 2009)
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5/10
Max Manus (Norway, 2008)
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Except of good production value, the film really fails to show significant cinematic achievement, that in addition to the simple patriotic embrace. In the end Max Manus is just a pale imitation of much better and way more interesting Soldier of Orange, pre-Hollywood work by Paul Vehoeven.
6/10
The Boondock Saints, (Canada/USA, 1999)
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Yes it's a fine film, yes it has great moments, yes the homosexual themes are more like Freudian slips and unintentionally funny, but it's just not that interesting and too far from me to make me a fan. I appreciate the effort, though.
8/10
Next Day Air (USA, 2009)
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Not too complex, not very suspenseful and a with more talking than it really needed, but with interesting approach to social problems of certain ethnic population and with cynical view on American dream and capitalism in general.
Always stoned and irresponsible delivery guy accidentally delivers a big package of drugs to the wrong people, event that triggers both funny and deadly consequences for everyone involved.
The movie has light Tarantino feeling to it and in general interesting to watch, although it is really nothing special on any level.
7/10
Horsemen (USA, 2009)
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Eventually the connection between the movie and the Biblical references is very slim and unconvincing, as the whole movie is just another pathetic attempt to scare the viewers with extreme violence and cruelty based on absolutely nothing. Behind all that mess lying sentimental moral tale of children/parents relationship, and not even believable or interesting one.
For people that still afraid of the dark or believe in ghosts, because like this movie it's all about silly irrational fear of nothing.
2/10
Eden Lake (UK, 2008)
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If the main purpose was to make the viewers uncomfortable to watch this film, than it's a success. The movie is uneasy to follow, the situation, in which the couple find themselves, is both extremely annoying and frustrating.
The problems start when you look for additional elements in this viewing experience, besides uncomfortable squirming in front of the screen. The suspense and the realistic treatment of the attackers are fine, but in some areas the film keeps the viewers on the diet, not really taking it to more extreme levels. For example there is not much of exploitation, like explicit rape or really nasty torture, something you might expect in such film, especially when the lead female is very fine Kelly Reilly in the summer dress, it's just usual sadistic stuff for such genre.
The basic definition of the couple as victims and their personal characteristics take away the ambiguity from this movie, making you only sympathize with them and be angry when things go against them. The feelings are one dimensional, there is no conflict of emotions toward them. I understand the reason for that but somehow it prevents from the movie to be more shocking and thus more enjoyable. It is indeed disturbing film with great ending, but it's just too simple as horror experience. Missed opportunity.
7+/10
Cape No. 7 (Taiwan, 2008)
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The movie follows number of characters in the small town, as they are trying to form a local music band to open for famous Japanese band that comes to perform in their town. Their dreams and desires, as well as fears and doubts, are shown as they interact with each other and as they live their lives.
This is so called "dramedy" genre, as some bits of a comedy and romance mixed together with drama, showing simple life of common people. The movie starts really good, in its best moments reminding cleverness and brilliance of Robert Altman's films, but as it goes further into the story, the movie just falls apart to become emotional and tearful romantic melodrama, with all the silliness implied by that.
Overall it is really good movie with international appeal worth seeing, it just runs out of gas in the middle and drags itself toward the end only with the help of the strong start.
8/10
I Sell the Dead (USA, 2008)
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But since this is how things turned out eventually, the film is just another sad example of unfulfilled potential. What a shame.
A grave robber tells the story of his life to a priest, describing strange and horrifying encounters with corpses, that refuse to stay dead.
8/10
13 Beloved (Thailand, 2006)
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This is very Hollywoodish thriller, and if sometimes it may feel a bit under-developed and amateur, it is just a consequence of low budget, but its intentions are as bombastic and grandiose as of Eagle Eye. No wonder that American remake was already announced, and it really deserves it.
As for the movie itself, it contains number of incredibly gross and unpleasant scenes, with the main protagonist is tormented by his past on the verge of psychological breakdown. The movie is fascinating to watch, but it's not flawless, although forgivable. Great ending here as well.
7/10
The Informers (USA, 2009)
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Some bullshit stories of rich and famous, about drugs and about not knowing what is right and wrong. And sure I can understand how it's all about boundaries of reality, and how all these people feel trapped and suffocated, about misunderstandings between the generations and how everyone is looking for a way. But why it has to be so fucking boring?
5/10
The Haunted World of El Superbeasto (USA, 2009)
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The movie is just light and adult fun, wicked and full of energy, and the moment it starts it just never let go till the end, keeping the same level of humor and action. Lots of cursing, sex jokes, animated nudity, cartoonish violence and funny songs. This was extremely entertaining and enjoyable for me, and with so many things happening on the background I will see it again to catch all of the jokes.
8+/10
Year One (USA, 2009)
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Jack Black is great comedian with perfect timing and facial expression, his presence alone corrects the incredible annoyance and irritation caused by appearance of Michael Cera. The film is full of funny dialogs and clever references, using religious myths in comic context. I am surprised there was no protest from some religious group, because the movie is using charming anarchism to openly mock religion.
Of course it is all mixed with less impressive low humor, but even fart and gay jokes can be funny in proper context.
I really enjoyed this film, I see how it will have more haters than fans, but it definitely deserves a chance.
8/10
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